Description; Identifier: 1991 OH 012 ; Date: 10/19/1990 ; Interviewer: Philpot, Edmond ; Interviewee: Martin, Helen ; Description: Martin discusses life during the Depression. PANTS: MARTEN’S OWN. Die britische Künstlerin Helen Marten erhält den renommierten britischen Turner-Preis. Location: Clarksville, TN ; Duration: :20:00 ; Time Summary: Restrictions: Rights: Contact Special Collections and Archives, Crabbe Library, Eastern Kentucky University for reproductions, rig It seems that everyone wants a piece of her these days. Seit über 25 Jahren ermittelt "Ein starkes Team" in Berlin. Helen Marten: Drunk Brown House at the Serpentine North Gallery brought together work never before presented in London with new work in an installation that was conceived specifically in relation to the Gallery. – but what I mean is that their presence is designed to be a simultaneity: as omnipotent as the cosmos and as evidence, more and more, that simplicity doesn’t exist. Maybe I’m interested in these expulsing gestures in the same way as some people might watch the World Cup as an exercise in an expanded ‘cultural studies.’ Something like an archive of melancholy or a pre-modern sensitivity that is political without being Politics, capital P. MG: The characters seem always to be falling. In the middle of her space is the huge White Cotton is so platonic, or something, a 2D line drawing rendered in steel. People operating algorithmically: exchanging, living, dying, fucking, breathing, labouring. Not like walking around it. Artist Helen Marten, who also appears in this issue’s portfolio of London artists, spoke with Wolfson about his videos and what he’s trying to achieve somewhere in the flurry of it … HM: I sat at a desk every day for about a year and when things didn’t pour out, I opened other books and used their words like lakes to swim in. Marten, 31, was lauded for her esoteric sculptural installations, for which she was also awarded the Hepworth Prize for sculpture last month. The insects, spawning in the millions, sing loudly and die quickly. Even dirt: the horizons of soil are huge! Folge sprachen wir mit den Hauptdarstellern über Parkplatzsex, Schubladendenken und die in 2016 verstorbene Maja Maranow. Helen Marten is a British artist based in London. SWEATSHIRT: TOPSHOP. Die Bücher aus der Verlosung gingen bereits an Sabrina L. … I was born on 10th June 1912 in Presov. As the story progresses, these areas seem to meld. This interview supports the scope and content of the Chicago Anti-Apartheid Movement Collection at the College Archives & Special Collections department of Columbia College Chicago. While you were writing, did you think first of language or plot? Helen Marten wins Turner Prize | Helen Marten has been awarded this year’s Turner Prize, overcoming stiff competition in what many critics judged to be the award’s strongest shortlist in years. Where are the lines between them? Since the pandemic began, she had been away from her home in the UK and was living in Holland. I can’t help but see concept or metaphor in most things. Helen Marten is having a tremendous year, full of top prizes and successful solo shows. A screening of her new film Dust and Piranhas was presented at the Serpentine Pavilion, London, in September as part of the gallery’s ‘Park Nights’ series. What is this effect in your work? She has recently had solo exhibitions at T293 Gallery, Naples, Italy, in 2010, and Johann König, Berlin, Germany, earlier this year. Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. “I’m Not an Assassin!”: Fran Lebowitz on Not Sleeping, Not Writing, and Not Naming Names, Elizabeth Olsen and Paul Bettany Test Their Real-Life Chemistry, Why We Could All Use a Tavi Gevinson Podcast Right About Now, Everyone, Including Fran Lebowitz, Loves Dolly Parton, Kyle Ng of Brain Dead Wants to Connect the World. All images, Untitled, are from 2020, copyright of Helen Marten, courtesy of Sadie Coles HQ, London. Ross Simonini Is there a philosophical perspective on death that feels most true to you?. Crafted from wood, steel and clay, or domestic items, Marten’s output includes sculpture, videos, text, and screen-printed paintings. In short, perhaps Ethan recognises through all his relentless performance of misery and ridicule, that multiplicity is essential to understanding, that the form of words symbolises an indefinite number of diverse propositions. – suddenly figuration is in everything so profoundly and intractably. Minerva the Miscarriage of the Brain, published by Sming Sming and Wolfman Books, 2020. MG: What was the process of creating a work like this? Helen Marten is having quite a year and, indeed, quite a career. https://www.monopol-magazin.de/helen-marten-gewinnt-turner-prize And if we’re thinking about descent, of course a downward plummet always has more velocity! Issues, Imagine people as points of civic ordinance all mostly existing within an envelope structure of ethical morality. Helen Marten: I suppose in immodest failure the world survives, and it might be as simple as saying that this kind of noise is the rhythm that structures all bigger ideas. Ilona “Helen” Martin Interview from 1999. fineartmultiple ™ Lesen Sie die neuesten Sammler-Interviews Courtesy Sming Sming Books. What You Need to Know About Turner Prize Winner Helen Marten . Grandson and Tom Morello on What Rock and Roll Means in 2021 ’90s Heartthrob Nick Carter Takes Us Back to the ’80s With His Favorite Films of the Era; Channel Tres Is Listening to Prince Demos, Kendrick Lamar, and Kali Uchis; Meet Sfera Ebbasta, Italy’s Superstar-in … London (dpa) - Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. Helen Mirren has said that she “got the s***” for her infamous 1975 interview with Michael Parkinson, and that the talk show host “never could quite grasp” what he did wrong. Helen Marten in conversation with Matias Faldbakken . . Skye Arundhati Thomas, October 21, 2016 Jasmine Reimer is an artist and writer living and working in Berlin and Toronto. Mrs. Ilona “Helen” Martin. Ihre Geschichte wird dabei von einer fiktiven Frauen-Person in Hosenrolle quasi als roter Faden durch den Roman getragen. Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. No, it’s not like really being there. Sofia Helin and Kim Bodnia chat about The Bridge on BBC Breakfast January 2014 Perhaps they might even be akin to chemical stimulant, something like the way caffeine rips you out of yourself and carries your pulse off darting in thousands of angles of pursuit and commitment! Jasmine Reimer is an artist and writer living and working in Berlin and Toronto. Ross Simonini Is there a philosophical perspective on death that feels most true to you?. PHOTO: HELEN MARTEN IN LONDON, OCTOBER 2012. HM: My feeling with all these things is that perhaps there is no line. “Helen Marten: Fixed Sky Situation” was exhibited at König Galerie, Berlin, from January 12 to February 24, 2019. Art, She is currently working on a novel. It is a novel told in the action of persistence and questioning: how the rhythms of a world built upon metaphor and symbolism can collide with relationships personal and domestic. culture, Recorded on 24th November, 1999. Die Akteure werden von Helena Marten lebendig und bildhaft dargestellt. MG: In the text, you oscillate between body, food and home, and between beauty, sex and disgust. She studied at the University of Guelph and Emily Carr University. Photography: Robert Glowacki. Helen Marten uses sculpture, screen printing and her own writing to produce installations that are full of references, from the contemporary to the historical, and the everyday to the enigmatic. PANTS: MARTEN’S OWN. 'I like to imagine', she says, for an interview coinciding with this show, 'that there's a formula for smelling attractive and one for parking your car'. To be off-balance or ever en route necessarily forces a reclamation or re-articulation of a body’s relationship to the earth, to gravity, to itself. Her first solo show in Britain was in 2012, at the Chisenhale in London, the seeding ground of bright young artists. Entdecken Sie Helen Marten auf fineartmultiple: Biografie, Ausstellungen und derzeit zum Verkauf stehende Kunstwerke. Auf weitere Projekte mit dem Namen „Helena Marten“ freue ich mich jetzt schon. So always movement, clogged or facilitated by language, always a vehicle of sorts, and always plot but perhaps not always conventionally surfaced. It was a deeply pleasurable process of translation, bouncing back and forth between all the things I might claim to know about image and all those I might claim to know about language. PHOTO: HELEN MARTEN IN LONDON, OCTOBER 2012. MG: You begin in a heightened conceptual place, writing through a wider lens, before narrowing the story. MG: Contrary to your other characters, which appear to be embroiled in the mess – implicated – The Messrs. sit above the story, looking down. Johanna Hedva Well, I’m a goth, so I’m partial to the ones who speak of death as the totalising divine. Perhaps he is also something of a clown who rejects the morose logician, who rejects the idea that the rigid alternatives of ‘true’ and ‘false’ are relevant to the pursuit of knowledge, to life or death, or the philosophical wormhole of trying to understand a binary action with a binary answer! The occasional clunkiness only forces the viewer to negotiate her pileups more carefully. The Boiled in Between is published by Prototype. HM: Ethan is a committed nihilist. MG: The linguistic rhythm of the book is like dreamwork: the words are soft and elegant, distorting the frictions and unpleasantness experienced by the protagonists. The artist on taking a break from visual work to turn to writing, life changes under lockdown and her favourite audiobooks. The Boiled in Between is the debut novel by Turner Prize-winning artist Helen Marten, a work of fiction that will surely be acclaimed for its author’s bold and innovative geist. They are in and of many of the things they discuss: wind, weather, animal, blood. I interviewed Marten over several days of emails. –Helen Marten. She then wads it with simulacra, showing the riddled possibilities of the endless associations between A and B, or even C and D and E. Ordinarily, she has done this through her sculptural and installation works. Magazine, Not like walking around it. In some ways, it is more code than text—the gender has been stripped out, and with that, a sense of the weight.” There is a startling weightlessness to much of Marten’s work, including her highly packed amalgams of objects, which seem neither improvisatory and unintentional nor permanent. MG: On page 104, you write: ‘Ethan held a pistol once and felt how irrelevant true or false was in the pursuit of knowledge.’ Why is that so? Traditional Teachers of English Grammar, 2012, by Helen Marten Someone asks her a sensible question and she answers by making a comparison between perfume and a multi-storey car park. Illustrations by Isabelle Albuquerque. COAT: EMPORIO ARMANI. And stupid images can be absolute. Atoms that collide at speed tend towards transformation, and how exciting is that?! I do believe that provisional absurdities can provide deeply profound interpretation. Johanna Hedva Well, I’m a goth, so I’m partial to the ones who speak of death as the totalising divine. Comments. HELEN MARTEN: I want to know something about boredom or banality and maybe a little about the hallucinogenic experience that can stem from it. Of course there is politics in everything – the sonic density of history and all its semantics, its objects, its matter – it folds and survives in the smallest flecks. Traditional Teachers of English Grammar, 2012, by Helen Marten In another interview (she seems to like the form), Marten talks about how walking through a … Das Temperament, das Luisa fehlt, hat Francesca doppelt und dreifach. Protest in any form visualizes conditions of precarity: in art, in language, in action, in metaphor – it’s as vitalas blood. “Helen Marten: Fixed Sky Situation” was exhibited at König Galerie, Berlin, from January 12 to February 24, 2019. Copyright © 2021 Interview Magazine. While the materials in Marten’s sculptures may look found, they are almost entirely created from scratch by the artist. Helen Marten works across sculpture, painting and writing to create a body of work that questions the stability of the material world and our place within it. Helen Marten’s installations may sit within the physical world, but they operate with an awareness of the infinite connotations of the virtual. Through The Boiled in Between, however, Marten’s first work of fiction, the artist enmeshes her chaotic depictions of humanity into an abstract wordscape that floats and falls and gushes with observational intensity. Interview with Helen Martin: Coaching tips and techniques to encourage positivity By Heidi Marshall April 21, 2020 No Comments Being a n effective manager right now requires a toolkit of sophisticated set of skills and behaviours. Or to mend and shrug off the blood in continuation. London. Münzen, Wattestäbchen und Schüsseln zu Skulpturen und Installationen: Für ihre Kunst aus Alltagsgegenständen hat die 30 Jahre alte Helen Marten den renommierten britischen Turner … Her first solo show in Britain was in 2012, at the Chisenhale in London, … Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. Thus, when Last Week Tonight employed four master actors to read excerpts from Richard Sackler’s leaked testimony, both the acting and the dialogue were better than Game of Thrones. Small and slight, with short blonde hair and an all-black wardrobe, the artist Helen Marten, 28, could pass for a Left Bank heroine—perhaps Jean … It is a novel told in the action of persistence and questioning: how the rhythms of a world built upon metaphor and symbolism can … Forthcoming solo exhibitions include: Stedelijk Museum, Amsterdam, the Netherlands (2018); König Galerie, Berlin, Germany (2018); and Castello di Rivoli, Turin (2019). Luisa ist klug und geschäftstüchtig, aber auch still, folgsam und feige, ein echter Hasenfuß. Then equip them with libidinal language and an ongoing system of wounding (poverty, illness, violence, etc.) Helen Highly Expands the Correlations. Allen voran Luisa und Francesca - zwei junge Frauen, die unterschiedlicher nicht sein könnten. I do believe that provisional absurdities can provide deeply profound interpretation. https://www.interviewmagazine.com › art › london-helen-marten The Boiled in Between is the debut novel by Turner Prize-winning artist Helen Marten, an ambitious literary work full of beauty and sorrow. Helena Marten - ein Pseudonym des sich neu zusammengefundenen Autorinnen-Duos Bettina Querfurth und Susanne van Volxem - schreibt mit Die Porzellanmalerin über den Kampf um das weiße Gold in Deutschland im 18. To be off-balance or ever, HM: It will sound maddening, but I try to think. Mazzy-Mae Green: In The Boiled in Between, you read the absurdities of humanity in flecks of dislodged earth and dirt-gashed shirts. Do you feel this is the most pertinent way to interpret our existence? And stupid images can be absolute. They are so many things: amazed conspirators; egos adjusted; staggering ghosts; feelings; admonishments. The titles of Helen Marten’s sculptures have long suggested a literary mind at work: Puddlefoot, digging, Limpet Apology (traffic tenses), Brood and Bitter Pass (all 2015). On View Phyllida Barlow and Helen Marten Lead Race to Win First Hepworth Sculpture Prize. They are always changing. None are ever what they first seem and all have the power to possess with totality. Even garbage is alluring because it informs us of human systems. Helen Marten: I suppose in immodest failure the world survives, and it might be as simple as saying that this kind of noise is the rhythm that structures all bigger ideas. To fall down is to forcefully reconnect, get damaged or break. One of the most compelling artists to emerge out of London in the past few years is 26-year-old sculptor and video artist Helen Marten. She studied at the University of Guelph and Emily Carr University. SWEATSHIRT: TOPSHOP. They’re all like their own micro-surfaces that give and receive, are improvised, unmoored. So between those two poles, there is an enormous amount of scope for reflexive play. ‘A character falling poses a paradox, a confusion of figure and field…’. Illustrations by Isabelle Albuquerque. Helen Marten, The Boiled in Between, 2020, book cover. “I suppose I’m trying to upset the expected rhythms of daily circumstance,” she says, “exploring what it means to be a tribal human preoccupied with the status of toothpaste, the floppiness of pasta, eroticism of rubbish, or tedium of hair.”. Zur 80. Marten’s film Evian Disease plays until July 2013 at the Palais de Tokyo in Paris. THE SUMMER HELEN MARTEN MET HAIM STEINBACH was the summer the cicadas returned to New York, emerging from a seventeen-year slumber deep inside the earth. I wanted to brutally twist that, not make a space of indeterminate collage, but really wring material process, image digestion and language intent into something else. The novel puts into forefront a myriad of vital questions relevant for all who tend to delve deeper into matters of both life and language. behind the scenes, Helen Marten is an artist and writer based in London, UK. HM: When I first started writing the book, I had emerged from a madly busy period of making exhibitions and I was frustrated with the conventional retinal way of looking at things: eyes-forward-straight-ahead-right-now. Helen Marten: I suppose in immodest failure the world survives, and it might be as simple as saying that this kind of noise is the rhythm that structures all bigger ideas. Helen Marten bolsters her paintings with sculptural elements while her sculptures look like paintings. Die 30-Jährige fertigt Skulpturen aus alltäglichen Gegenständen an. HM: It will sound maddening, but I try to think with whatever the ambient tone for the day is! Münzen, Wattestäbchen, Schuhsohlen, die britische Künstlerin Helen Marten inszeniert alltägliche Dinge "als würde man sie zum ersten Mal sehen". The Housemarten 2: Helen Marten and the politics of managed depression Digital ink does not dry. ‘The world is impossibly fat and full of information. HM: As the Messrs. themselves suggest, they are instruments of psychic observation. Review: Helen Marten’s debut novel The Boiled in Between. Helen Marten lives in London, UK. If it did, it would still be wet by the time I’ve started getting comments about my slightly ironic review of Helen Marten’s show at the Turner Prize. fashion, Is there something about a person in descent that is inherently more interesting? Combining sculpture, text and screen-printed paintings, Marten’s practice comprises images and objects, often playing with two and three-dimensionality. All Rights Reserved. With Modern Matter, the artist discusses this new extension of her practice, presented here alongside a selection of artworks inspired by the book – from Marten’s most recent show at Sadie Coles HQ, London – and an extract from the book itself. She had recently moved her studio into a space in a freshly converted theater in Dalston, but she has yet to unpack, mainly because her most recent work, the 29-minute CGI animation film Evian Disease, now showing at the Palais de Toyko in Paris, required none of her usual hands-on sculptural assemblage-at least not in the physical sphere. Through, Helen Marten: I suppose in immodest failure the world survives, and it might be as simple as saying that this kind of, HM: This links quite specifically to your first question – to positions of precarity. Alluding to language, systems and intentionality, her work across all media sets out to imagine the miraculous substructure beneath the veneer of our habitual lives. Interview of Helen Shiller by Jacob Martin Lingan. Marten’s pieces have roved from incorporating wall paper to cell phones, industrial hardware, neon light, and, of course, animation-perhaps the ultimate art form for the convergence of the unreal with the almost human. No, it’s not like really being there. To trip up is to notice something. Courtesy: Prototype. Courtesy Sming Sming Books. Helen Marten is having quite a year and, indeed, quite a career. Jahrhundert. interview, Artist Helen Marten, who also appears in this issue’s portfolio of London artists, spoke with Wolfson about his videos and what he’s trying to achieve somewhere in the flurry of it all.-Christopher Bollen. In this profile we explore her rise to art stardom. A Transformation of Something That Could Otherwise be Very Ordinary, English artist Helen Marten uses an internal, cryptic logic to unpick the binary relationship between question and answer. The Making of Helen Marten // Feature // 18.10.2013 // Agnieszka Gratza // Getting an interview with the highly sought-after London-based artist Helen Marten is no mean feat. Interview with Helen Martin. It is saturated with potential signification. Perhaps mostly for myself to short-circuit and start afresh. Interview. Culture is not Cancelled: Creatives Share Their Inspiration. In 2011, she was awarded the Prix Lafayette and in 2012 the Prix LUMA. Home; Ilona “Helen” Martin Interview from 1999; Ilona Goldmann aka Helen Martin. London (dpa) - Der renommierte britische Turner-Preis für moderne Kunst geht in diesem Jahr an Helen Marten. As our Critic suggests, life’s truest statements come from legal depositions, where even villains are afraid to lie. These portmanteaus and locutionary couplings stimulate the mind’s tongue. The result strikes, in her words, “a balance between the seamless, coldness of fabrication, and then a kind of assertive crappiness.” Marten’s object ecosystems have the visual wit of Sarah Lucas or Robert Gober—or Martin Kippenberger, one of her influences—but they hold a deeper tension in terms of the presence of the artist’s hand versus the sleek seduction of the surface. During an interview with police, Helen Martin said she made the decision to bathe the child while her husband was out running errands, according to court documents obtained by FOX59. “There is nothing to touch, no smell, just this weird rubbery shell that at the same time is both materially dead and data-osmotic. Impossible to quote Marten writing about sex, violence, food, age or decay without noting how much work the texture and rhythm of her prose are doing. Take the disarming mutant vacation sculpture No juice about it (2011): The piece consists of a grid of bamboo fencing, which is actually made of steel, on which a patchwork quilt and a lei are strung, and in front of which a clay-looking pineapple, actually fashioned from cast aluminum, is coyly humanized by wearing a pair of Oakley sunglasses. This article originally appeared in Border Crossings #151, published September 2019. She then wads it with simulacra, showing the riddled possibilities of the endless associations between A and B, or even C and D and E. Ordinarily, she has done this through her sculptural and installation works. Helen Marten in conversation with Matias Faldbakken . COAT: EMPORIO ARMANI. video, The Boiled in Between: In Conversation with Helen Marten, 23.10.20  |  Article by Mazzy-Mae Green; extract and image selection by Helen Marten  |  Art, culture, interview. Jetzt hat sie den Turner-Preis erhalten. Evian Disease, with its hyper-real imagistic juxtapositions of nature and commodity inhabiting a flattened plane, “reeks of dishonesty,” according to the artist. Think how quickly something monkish becomes pornographic by association. The interviewer conducted this oral history as part of his/her coursework for the Spring 2010 class, Oral History: The Art of the Interview. She then got into the bath with the child and his toys, while still wearing clothes, and allegedly held his head underwater until he drowned. The Boiled in Between is the debut novel by Turner Prize-winning artist Helen Marten, an ambitious literary work full of beauty and sorrow. I suppose they are something of all people – an audience, constructed always and forever by whomever and whenever, by time and spirit. I do believe that provisional absurdities can provide deeply profound interpretation. Helen Marten lives and works in London, UK. 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Sie die neuesten Sammler-Interviews Interview of Helen Shiller by Jacob Martin Lingan folge sprachen wir mit den Hauptdarstellern Parkplatzsex. 151, published by Sming Sming and Wolfman Books, 2020 sentences branching cells. Receive, are from 2020, book cover this article originally appeared in Border Crossings 151! Weitere Projekte mit dem Namen „ Helena Marten lebendig und bildhaft dargestellt or ever, hm it... – are simply packaging for billions of smaller fractured events dying, fucking, breathing, labouring short-circuit start... Dislodged earth and dirt-gashed shirts imagine people as points of civic ordinance all mostly within... Reconnect, get damaged or break we explore her rise to art.... Then equip them with libidinal language and body, food and home and. Having quite a year and, indeed, quite a year and, indeed, quite a career this originally...

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