Cause and effect. Brazilian director Gabriel Mascaro's 'Divine Love,' one of the year's most original films, puts a futuristic twist on evangelicals and populism. With Jonathan Pryce, Kim Greist, Robert De Niro, Katherine Helmond. Directed by Terry Gilliam. The most distopian place in cinema history where middle-age hints and ultramodern, heavy and plastic design creates an environment that looks like an oppressive and concentrational mix between a mall, a prison and a fortress. THE MOVIE: Please Note: The stills used here are taken from promotional materials, not the Blu-ray edition under review. Review by Jeff Field | posted January 16, 2000 ... interesting is the "Battle for Brazil" video that documents the Battle Gilliam fought to get his version of his movie out. Brazil is the most celebrated Gilliam's film, the perfect mix of all his obsession and most peculiar features. That's the beauty of it." Brazil’s world is one that seems to run automatically, a constantly chugging machine that no one has figured out how to fix. The look of the film harkens back to the 1930's, as does the title; ''Brazil'' is named not for the country but for the 1930's popular song, which floats through the film as a tantalizing refrain. Taken at face value, Brazil is a stinging, Strangelovian satire of the power … Brazil movie reviews & Metacritic score: Brazil is a surrealistic nightmare vision of a "perfect" future where technology reigns supreme. A bureaucrat in a dystopic society becomes an enemy of the state as he pursues the woman of his dreams. "Everything is connected all along the line. The film centres on Sam Lowry, a low ranking bureaucrat trying to find a woman who appears in his dreams while he is working in a mind-numbing job and living in a small apartment, set in a dystopian world in which there is an over-reliance on poorly maintained (and rather whimsical) machines. Movies Brazil. Conclusion: The Brazil Criterion Collection is a very interesting set, and one of the more impressive Criterion Collection entries to date. Brazil is a science fiction black comedy from famously idiosyncratic director Terry Gilliam, and even though I don't consider myself a fan of the director's work in general, to me the film is a masterpiece. These mistakes are depicted with comical frequency throughout the film. A movie review by James Berardinelli Terry Gilliam's Brazil is one of those films whose enduring reputation is based at least in part on events surrounding its stormy distribution history. Terry Gilliam presents a retro-futurist fantasy—a melancholy, joke-ridden view of the horribleness of where we are now and the worse horribleness of where we’re heading. Enemy of the state as he pursues brazil movie review woman of his dreams used here are taken from promotional,! 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